
Felipe Lavin, "Desvanecidos - CDMX XXII" Ed. 3/3
Photomontage, lightbox
40" x 60"
Felipe Lavin, "Desvanecidos - Buenos Aires II" Ed. 1/3
Video
4min22sec
Felipe Lavin, "Fotogramas Paris II - I" Ed. 4/5
Photomontage
12" x 19"
Felipe Lavin, "Desvanecidos Montreal VI" Ed. 2/3
Photomontage, lightbox
60" x 40"
Felipe Lavin, "Ausgang/Exit Series - Richard-Wagner-Platz"
Photomontage
29" x 43"
Felipe Lavin, "Desvanecidos - Barcelona II" Ed. 2/3
Video
04min24sec
Felipe Lavin, "Desvanecidos - CDMX XII" Ed. 3/3
Photomontage, lightbox
40" x 60"
Felipe Lavin, "Desvanecidos CDMX X" Ed. 2/3
Photomontage, lightbox
39.5" x 30"
Felipe Lavin, "Fotogramas NYC III - I" Ed. 4/5
Photomontage
12" x 19"
Felipe Lavin, "Desvanecidos CDMX VIII" Ed. 3/3
Photomontage
60" x 40"
Felipe Lavin, "Fotogramas Miami I - II" Ed. 4/5
Photomontage
12" x 19"
Felipe Lavin, "Desvanecidos - Estocolmo V" Ed. 1/3
Video
5min14sec
Felipe Lavin, "Fotogramas Berlin I - II" Ed. 1/5
Photomontage
12" x 19"
Felipe Lavin, "SubPanorama - Paris II" Ed. 2/3
Photomontage
45" x 30"
Felipe Lavin, "Desvanecidos - Montreal V"
Photomontage
84" x 59"
Felipe Lavin, "Ausgang/Exit Series - Rohrdamm"
Photomontage
29" x 43"
Felipe Lavin, "Desvanecidos Series - CDMX XIII"
Photomontage
85" x 59"
Felipe Lavin, "Desvanecidos Series - CDMX IV"
Photomontage
85" x 59"
Felipe Lavin, "SubPanorama - Madrid I" Ed. 2/3
Photomontage
45" x 33.5"
Felipe Lavin, "Desvanecidos Series - CDMX II" ON HOLD
Photomontage
85" x 59"
Felipe Lavin, "Fotogramas NYC IV - I" Ed. 2/5
Photomontage
12" x 19"
Felipe Lavin, "Ausgang/Exit Series - Eisenacher Strasse"
Photomontage
29" x 43"
Felipe Lavin born in 1987, Santiago, is a Chilean photographer and civil engineer. This exhibition weaves together three series of work: Ausgang / Exit, 2018, Desvanecidos, 2020, and BUM (Barrio, Urbano, Marginal), 2023. Over the last six years, Lavin has been photographing public spaces in cities all over the world—Santiago, Lima, Mexico, Montreal, Miami, NYC, Paris, Berlin, Madrid, to name a few.
Fascinated by the rapid transformations brought on to the cities and their populations by globalization, technological innovation, and gentrifcation, these series are shaped by the concept of “place” and “non-place.”
A “place” in the anthropological sense and as articulated by Marc Augé, is defned as a human space that is held together not only in corporeality, but by collective memory and social bond. It follows that “non-places” are human spaces of transience, disconnection— those in-between “places” where collective memory and social bond become ruptured.
In conversation with each other, these three series explore on both a micro and macro level how globalization, technological innovation, and gentrifcation, are changing the urban landscape and modern psyche.