Jean Paul Riopelle Canadian, 1923-2002

Works
  • Jean Paul Riopelle, Affiche avant la lettre #185, 1972
    Affiche avant la lettre #185, 1972
  • Jean Paul Riopelle, Été indien, 1969
    Été indien, 1969
  • Jean Paul Riopelle, Le Chien, 1972
    Le Chien, 1972
  • Jean Paul Riopelle, Teddy, 1972
    Teddy, 1972
  • Jean Paul Riopelle, Turnbull, 1972
    Turnbull, 1972
  • Jean Paul Riopelle, Hibou X, 1970
    Hibou X, 1970
  • Jean Paul Riopelle, Affiche Galerie Maeght II, 1974
    Affiche Galerie Maeght II, 1974
  • Jean Paul Riopelle, Hibou VIII, 1970
    Hibou VIII, 1970
  • Jean Paul Riopelle, Épinette, 1972
    Épinette, 1972 Sold
  • Jean Paul Riopelle, Feu de forêt, 1972
    Feu de forêt, 1972 Sold
  • Jean Paul Riopelle, L'Indien, 1972
    L'Indien, 1972 Reserved
  • Jean Paul Riopelle, Métamorphose, 1972
    Métamorphose, 1972 Sold
  • Jean Paul Riopelle, Feuilles VI, 1967
    Feuilles VI, 1967 Sold
  • Jean Paul Riopelle, Jute III, 1967
    Jute III, 1967 Sold
  • Jean Paul Riopelle, Sphinx, 1967
    Sphinx, 1967 Sold
  • Jean Paul Riopelle, Abstraction, 1955
    Abstraction, 1955 Sold
  • Jean Paul Riopelle, Album 67 #1, 1967
    Album 67 #1, 1967 Sold
  • Jean Paul Riopelle, Quien-Toi Bien (Série Dommage), 1989
    Quien-Toi Bien (Série Dommage), 1989 Sold
  • Jean Paul Riopelle, Scout, 1981
    Scout, 1981 Sold
  • Jean Paul Riopelle, Suite à l'Année Verte, 1972
    Suite à l'Année Verte, 1972 Sold
  • Jean Paul Riopelle, Suite Caribou, 1972
    Suite Caribou, 1972 Sold
  • Jean Paul Riopelle, Suite Fancy, 1972
    Suite Fancy, 1972 Sold
  • Jean Paul Riopelle, Suite Générale, 1972
    Suite Générale, 1972 Sold
  • Jean Paul Riopelle, Suite Guerrière, 1972
    Suite Guerrière, 1972 Reserved
  • Jean Paul Riopelle, Suite Lac Aux Puants, 1972
    Suite Lac Aux Puants, 1972 Sold
  • Jean Paul Riopelle, Suite Lachaudière, 1972
    Suite Lachaudière, 1972 Sold
  • Jean Paul Riopelle, Suite Lachaudière, 1972
    Suite Lachaudière, 1972 Sold
  • Jean Paul Riopelle, Suite Poursuite, 1972
    Suite Poursuite, 1972 Sold
  • Jean Paul Riopelle, Suite Tabou, 1972
    Suite Tabou, 1972 Sold
  • Jean Paul Riopelle, Tanlay festival, 1989
    Tanlay festival, 1989 Sold
  • Jean Paul Riopelle, Tanlay festival, 1989
    Tanlay festival, 1989 Sold
  • Jean Paul Riopelle, Triptyque Orange, 1967
    Triptyque Orange, 1967 Sold
  • Jean Paul Riopelle, Tryptique Gris, 1967
    Tryptique Gris, 1967 Sold
  • Jean Paul Riopelle, Affiche avant la lettre n.120, 1970
    Affiche avant la lettre n.120, 1970 Sold
  • Jean Paul Riopelle, Hibou I, 1970
    Hibou I, 1970 Sold
  • Jean Paul Riopelle, Hibou II, 1970
    Hibou II, 1970 Sold
  • Jean Paul Riopelle, Hibou III, 1970
    Hibou III, 1970 Reserved
  • Jean Paul Riopelle, Hibou IV, 1970
    Hibou IV, 1970 Sold
  • Jean Paul Riopelle, Hibou IX, 1970
    Hibou IX, 1970 Sold
  • Jean Paul Riopelle, Hibou VI, 1970
    Hibou VI, 1970 Reserved
  • Jean Paul Riopelle, Hibou VII, 1970
    Hibou VII, 1970 Reserved
  • Jean Paul Riopelle, Hibou-Nid, 1969-1970, fonte 2010
    Hibou-Nid, 1969-1970, fonte 2010 Sold
  • Jean Paul Riopelle, Les Oies, 1989
    Les Oies, 1989 Sold
  • Jean Paul Riopelle, Le Coq, 1972
    Le Coq, 1972 Sold
Series
Biography

Jean-Paul Riopelle, born in 1923 in Montreal and died in 2002 in Paris, was a world-renowned Canadian painter and sculptor, celebrated for his pivotal role in lyrical abstraction and the Quebec Automatist movement. Working primarily in oil painting and sculpture, Riopelle developed a distinctive technique based on thick impasto and spontaneous gesture, producing works of remarkable visual and emotional intensity. His art explores themes such as nature, chance, materiality, and movement, often blurring the lines between abstraction and figuration. Iconic works, including his large-scale canvases and intricate mosaics, demonstrate his ability to combine technical innovation with expressive power.

 

Riopelle’s artistic development was deeply influenced by his upbringing in Quebec and his involvement with the Automatist movement in the 1940s, whose Refus global manifesto challenged contemporary social and artistic norms. In the 1950s, he moved to Paris, where he engaged with leading contemporary artists and refined a gestural, expressive style influenced by American action painting, while maintaining a distinctly Canadian identity. He also experimented with bronze sculpture and mosaic, using diverse materials to create three-dimensional works that extended his pictorial concerns.

 

International recognition followed Riopelle throughout his career. His works have been exhibited in major institutions, including the National Gallery of Canada, the Centre Pompidou in Paris, and the Museum of Modern Art in New York. He represented Canada at the Venice Biennale and left a lasting mark on the development of Canadian contemporary art. His legacy lies in his mastery of formal innovation, gestural intensity, and poetic sensibility, inspiring generations of artists to explore the expressive potential of color and material.

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