This series is an exploration of the modern gaze; of ambiguous figurative paintings that are revealed and transformed within the act of the individuals' views. These portraits are not an attempt to render physical characteristics but rather create a language of underlying sexual subtexts. Using ambiguity as a tool demands the viewer's exploration of their psyches and provokes self awareness.
To have a painting that can exist as an alluring object and shift into an eroticized figure disarms and naturalizes the modern gaze; decriminalizing sex in art. Whether an individual sexualizes the figure, or becomes embarrassed and nervous by the mere suggestion, this is all a process which occurs independently from the painting. Breaking down barriers of the different modes in which the body can exist in social spheres and contemporary art.